Showing posts with label Richard Aloysius Twine. Show all posts
Showing posts with label Richard Aloysius Twine. Show all posts

Monday, July 29, 2019

Mystery photographer revealed

Cover the journal El Escribano, Vol 53, showing a 1920s portrait of a young woman
A brief biography of R.A. Twine is featured
 in the Saint Augustine Historical Society journal
El Escribano 2016, published in 2018.
One of Twine's photos is on the cover.
Back in 2017, I  wrote about African-American Catholic photographer Richard Aloysius Twine after discovering his amazing 1920s photographs in Florida Memory's online Twine Collection (which in 2022 no longer seems to exist).

The sharply dressed young man visually catalogued residents of St. Augustine's Lincolnville neighborhood in the early 20th century. He  photographed portraits, groups, community gatherings, and class outings and other scenes revolving around St. Benedict the Moor Catholic Church and School life.

I wrote a two-part post: the first about Twine and the second about St. Benedict the Moor School, which Twine attended. But information about Twine was sparse. I wanted to know more about the photographer and his later years. Did he move away? Die young? I even titled the first part of the post "Gifted Photographer a Mystery Man."

Imagine my delight, then, when I received Volume 53 of El Escribano, The St. Augustine Journal of History, in 2018. The entire issue is devoted to the photography of Twine and his near contemporaries, Hugo and Earnest Meyer.

First, I'm happy to say Twine didn't die young. He moved north, as did many people of color in that era, but he also moved farther south.

Black and white portrait of photographer Richard Aloysius Twine
Richard Aloysius Twine 
Thanks to a brief biography about Twine in Volume 53 of El Escribano, I'm now able to share more details. The bio was written by Dr. Patricia Griffin and Diana Selsor Edwards, with editing by Robert Nawrocki. I recommend you find this issue of the journal if possible and read the entire thing and enjoy the photographs reprinted in it. 

The issue is titled El Escribano 2016 but it was published in 2018. One of Twine's portraits, depicting a young woman, is featured on the cover. The journal is a project of the Saint Augustine Historical Society. Contact the historical society's Research Library to learn where you can access a copy.

Here, from the biography, are some excerpts and points of interest about Twine's life:
  • He was born in St. Augustine in 1896 to former slave David Twine, who fought for the Union in the Civil War, and Harriett Bronson Twine, believed to have also been a former slave.
  • Many family members were devout Catholics. 
  • Twine moved to New York in 1916 but returned to St. Augustine about five years later and opened a photography studio.
  • Twine was interested in filmmaking, and also was a playwright who staged theatricals with like-minded friends at St. Benedict the Moor Church.
  • He operated his St. Augustine photography studio for only a handful of years - less than five. Several family members had scattered, and he followed some of his siblings to Miami, where they had opened a restaurant.
  • The Great Depression ended Twine's photography, film, and theater dreams. He spent his later working years managing a hotel and boarding house.
  • He never married.
  • Twine died in Miami in 1974. He was 78. He's buried in San Lorenzo cemetery in St. Augustine.
I can't find a better tribute than this one written in the biography: "Richard Twine's public legacy is enduring in his Lincolnville photographs." His images offer viewers "... an intimate sense of people whose lives would otherwise have been lost to recorded history." (Page 11). 

So true. The photos and the biography do even more, though, in my opinion. They give us a glimpse into the man who was Richard Aloysius Twine, who also would have been lost to history. And they leave me, again, wanting to know more.


Read the related 2017 posts: Part 1 and Part 2

Monday, February 27, 2017

Gifted photographer a mystery man

photo of Richard Aloysius Twine
Photographer Richard A. Twine self-portrait.
(Credit: State Archives of Florida/Twine)

July 2019 update:
Mystery photographer revealed



Original 2017 post:

First of two parts

Funny how threads of interest travel online. Last week, I saw a Facebook post by Florida's Bureau of Library Development. It linked to a page on the State Archives of Florida's Florida Memory website. 
The trail was worth following. It led to an African-American photographer named Richard Aloysius Twine.

I can't link to a Wikipedia page about Twine, because one doesn't exist. I hope to rectify that by creating a page for him as part of a retirement project. He deserves wider recognition for the visual record he made of the African-American community of Lincolnville in St. Augustine. Between 1922 and 1927 he created more than 100 images of Lincolnville people, places and events.

Twine's images are preserved at the St. Augustine Historical Society and are (2022 update: were) showcased online at Florida Memory. That website provides the only biographical detail I could find about Twine. He was born in 1896 and was a professional photographer, at least during the 1920s. He was in his 20s when he documented community life.

What the brief bio doesn't say, but what I infer from the photos, is that Twine was Catholic or was close to the Catholic community in Lincolnville. A number of his pictures depict St. Benedict the Moor church, churchgoers and schoolchildren. St. Benedict the Moor was the first African-American parish in the St. Augustine diocese, according to a 2014 article in the St. Augustine Record. Part Two of this blog post looks more closely at the church and school.

Ninety-six of Twine's photos can be viewed online. (2022 update: The site no longer exists.) One of my favorites is "The 'Catholic Crowd' After Church." Twine - looking quite dapper - is seated in the middle of the photo, and is surrounded by women wearing their Sunday best. The image preserves a slice of life from a long-ago Sunday.

I looked at every one of the photos. Each draws the viewer in for a closer look. Each leaves the viewer with a better understanding of a place and people at a certain point in time. A sensitive and gifted man was behind the camera. I wonder what happened to him. Did he stop taking photos? If so, why? Did he move away? Embark on a different career? The photos are silent.

Early 1900s photo of group of African-Americans
'The 'Catholic Crowd' After Church" by Richard A. Twine.
He's seated at center.
(Credit: State Archives of Florida/Twine)

Part 2 of the original 2017 post is about St. Benedict the Moor Catholic School.